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Explore production-tested prompts for ChatGPT, Claude, and Midjourney built by creators.

trian
Art Work
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@Hesham

trian

Cinematic urban fashion poster of a young man hanging from the exterior side of a moving subway train inside a dark underground tunnel. He wears an oversized black hoodie with the hood up, loose gray baggy cargo pants, and black sneakers. One arm is stretched upward gripping the train, while his other hand makes a stylish expressive gesture. Dramatic intense facial expression, confident streetwear attitude. The subway train occupies the left side of the composition, with strong motion blur and metallic reflections. Deep perspective railway tracks disappear into a curved industrial tunnel in the background. Moody fluorescent tunnel lights, subtle red signal lights, dark blue-gray color palette, atmospheric shadows, cinematic depth of field, high contrast, realistic textures, dynamic action photography, wide-angle lens, slight fisheye perspective, futuristic urban aesthetic, premium streetwear campaign, editorial fashion photography, ultra-detailed, photorealistic, dramatic composition. use the upload photo for the young man face
3
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the fire hand
Art Work
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@Hesham

the fire hand

Vertical cinematic portrait of a handsome man with dark short hair and an intense gaze, wearing a dark leather trench coat and leather gloves. He holds a bright, swirling fireball emitting fiery orange light and rising smoke above his open hand. Dark atmospheric background filled with flying embers, moody smoke, and warm lighting illuminating his face from below. Hyperrealistic, dark fantasy realism, dramatic light contrast, 8k resolution
11
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Alien Ship
Art Work
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@Hesham

Alien Ship

A dark, claustrophobic corridor aboard a derelict spaceship, lit only by flickering red emergency lights. In the center, a hulking xenomorph emerges from shadows, its biomechanical body glistening with iridescent textures and jagged, organic armor. The background reveals a vast, metallic spaceship interior with rusted pipes, cracked glass, and faint traces of bloodstains. A faint, eerie glow emanates from the creature’s eyes, casting long, distorted shadows across the scene
6
0
the knight
Art Work
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@Hesham

the knight

Use the person in the reference image as the exact identity reference. Keep the person's face and identity unchanged. Preserve his exact facial structure, face shape, eyes, eyebrows, nose, lips, ears, jawline, cheekbones, beard pattern, hairline, skin characteristics, and all distinctive facial features. Do not redesign, regenerate, beautify, or reinterpret his face. He must remain clearly recognizable as the exact same person from the reference photograph. Only change his clothing and environment. Dress him as a highly realistic medieval knight wearing detailed dark steel plate armor with subtle engraved metalwork. Place him inside a dramatic medieval stone castle. Preserve the person's original facial identity while naturally adapting the lighting to the new environment. Photorealistic cinematic photography, realistic skin texture, natural facial proportions, physically accurate lighting, detailed armor, shallow depth of field, 85mm portrait photography. The face is the highest-priority element and must remain faithful to the reference image.
6
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goddess of the moon
Art Work
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@Hesham

goddess of the moon

8K cinematic scene of Artemis, goddess of the moon and the hunt, walking silently through a moonlit forest. She wears light armor covered in leaves and carries a bow. At her side walks a massive white wolf with intelligent glowing eyes, fur shimmering in the moonlight. They move as one, silently hunting. Mist creeps around the forest floor, and starlight filters through the trees. Dark greens, silver light, magical atmosphere
3
0
deserit snake
Art Work
Avatar
@Hesham

deserit snake

using the attached reference image as the primary facial identity reference GENERATE A Ultra-realistic cinematic macro photograph of a dramatic surreal scene on a warm wooden desk. A modern smartphone lies diagonally on the table, and its screen has transformed into a real three-dimensional portal to the Egyptian desert. Inside the phone screen, an enormous realistic Egyptian desert stretches beyond the screen boundaries, with the Great Pyramids of Giza visible in the distant background at golden sunset. The desert sand physically spills and flows OUT of the smartphone screen onto the wooden desk, creating a convincing dimensional illusion. A realistic adult male adventurer is half inside the phone screen, desperately crawling out toward the edge of the smartphone as if escaping from the scene. He wears a white T-shirt, dark shorts, sunglasses, a black backpack and a wristwatch. His hands grip the physical edge of the phone, his body partially submerged in the sand, with an intense frightened expression. Behind him, a gigantic highly realistic cobra suddenly bursts out of the phone screen, dramatically rising from the desert sand and chasing him. The cobra has its hood fully expanded, mouth wide open, long sharp fangs clearly visible, tongue extended, detailed scales, realistic eyes and aggressive posture. Sand explodes around the snake as it emerges from the screen. The key visual effect must be extremely convincing: the smartphone screen acts like a physical portal, with the desert, sand, man and cobra breaking the boundaries of the display and entering the real-world desk. Strong interaction between digital world and physical environment. Warm golden-hour lighting, dramatic orange desert atmosphere, cinematic rim lighting, realistic reflections on the smartphone glass and metallic edges, detailed sand particles, flying dust, realistic shadows, shallow depth of field, professional photography, low-angle three-quarter perspective, dynamic diagonal composition, extreme photorealism, high micro-detail, realistic skin texture, realistic snake scales, physically accurate lighting, cinematic depth, 8K detail. Foreground: spilled desert sand covering part of the wooden desk. Background: softly blurred cozy indoor environment with a small plant, a coffee cup and warm ambient lights, creating strong contrast between the peaceful desk and the dangerous scene inside the phone. No cartoon, no illustration, no CGI look, no toy-like appearance, no extra people, no distorted anatomy, no duplicated limbs, no deformed hands, no floating objects. The man, cobra, sand and phone must look physically integrated into one photograph.
14
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